Art & Design

“I found I could say things with colour and shapes that I couldn’t say any other way — things I had no words for.”
— Georgia O’Keeffe

At Thomas Mills High School and Sixth Form, students follow Pearson Edexcel A Level Art and Design. Year 13 completes Component 1: Personal Investigation and then undertakes Component 2: Externally Set Assignment. The course develops independent, reflective and creative practitioners who investigate personal ideas, respond critically to contextual sources, experiment purposefully, refine intentions and present resolved outcomes. Supporting studies, first-hand observation, drawing and written analysis should show a coherent journey through all four Assessment Objectives.

 

 
 

 

AO1 Develop: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.

AO2 Explore: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.

AO3 Record: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.

AO4 Present: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.

Term 1

Perspective and Abstraction

Knowledge:

This first unit serves as an introduction to A Level art and ways of making work. It is designed to allow students to try different approaches and learn to develop and rework ideas in a less prescriptive way. Students are encouraged to experiment and work abstractly. Widening their visual language.

Artists who we will look at in this first term include, Betty Edwards, Frank Auerbach, Dawn Clements, Jeanette Barnes and Richard Diebenkorn.

This term includes a trip to Paris for artists and Photographers.

Skills:

  • Different approaches to drawing, flattened perspective, collaged drawings, expressive mark making.
  • Learning to select from the environment, gather interesting primary images and draw from life.
  • Workshops will encourage students to develop, rework and experiment. Using sketchbooks to chart these processes.
  • Artists will be selected to encourage different technical skills. Pupils will learn to analyse and make reference to artists’ work.

 

Useful Links

Jeanette Barnes captures the evolving shape of the city in her charcoal drawings

Dr Betty Edwards: world-renowned art innovator and educator

Home | Richard Diebenkorn Foundation

Assessments:

Large scale drawing based on the theme using visual research from sketchbook.

 


 

Term 2

Maps, Connections, Cells and Networks.

Knowledge:

This unit allows students to build a sketchbook with even greater independence. The theme is designed to encourage interpretation. Students to choose to select their own artists for inspiration and find sources to feed their ideas. Workshops will continue to broaden skills including, ink and bleach, batik, collage and textiles.

Skills:

  • Independent selection and direction for work. Greater ownership.
  • Textile, batik, ink and bleach, collage, print and paint.
  • Reviewing, refining and decision-making skills.
  • Use of the sketchbook as a visual record of ideas and experiments.

 

Useful Links

ART2DAY – home

Tate Britain | Tate

Assessments:

Large scale outcome or outcomes, developed from sketchbook of work.

 


 

Term 3

Working in a series

Knowledge:

This unit will use the previous work of the year to develop ideas. Students will look at artists who use a series as a way of communicating their ideas. Encouraged to consider how multiple image feed each other and work together.

Selections will be made from work made so far and pupils will push one of these ideas into a series outcome.

Skills:

  • Analysis of series work.
  • Primary research to feed ideas.
  • Development and experimentation.
  • Selection from ideas to create a series.

 

Introduce Personal Study

Visit the Exhibition of year 13 work at Framlingham Old Theatre. Begin ideas for personal study unit year 13.

Over the summer visit galleries and see work first hand to feed your ideas.

Useful Links

Tate

Museum of Contemporary Art (MOCA London) | Artnexus

MA History of Art – The Courtauld

Assessments:

Complete a piece to be seen as a series.

 

 
 

 

AO1 Develop: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.

AO2 Explore: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.

AO3 Record: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.

AO4 Present: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.

Term 1

Component 1: Personal Investigation
Sustained personal enquiry and Personal Study

Enrichment:
London gallery visit; four-day European trip to Paris in November

Knowledge:

Students establish and sustain a personal line of enquiry informed by first-hand observation and relevant contextual sources. They connect practical investigation with critical understanding and use the Personal Study to articulate ideas, influences and judgements. A London gallery visit and a four-day European trip to Paris in November provide opportunities for direct observation, drawing, photography and critical engagement with artworks and gallery contexts, supporting AO1 and AO3.

Skills and evidence:

  • Formulate a purposeful question, theme or concept and plan sustained investigations (AO1).
  • Gather purposeful primary research, including drawing and photography, and annotate decisions (AO3).
  • Experiment with media, materials, techniques and processes; review and refine as work develops (AO2).
  • Analyse artists’ intentions, methods and contexts, integrating visual and written responses rather than copying style (AO1/AO3).
  • Draft and refine the Personal Study so that written analysis and practical work support one another.

 

Useful Links

Pearson A Level Art and Design specification

Pearson teaching and learning support

Tate student resources

Tate Art Terms

Paris Photo official website

Term 1 assessment checkpoint:

Review the developing portfolio and Personal Study against AO1–AO4. Evidence should show a coherent enquiry, purposeful contextual links, experimentation, recording, critical reflection and clear next steps towards a resolved personal response.

 


 

Term 2

Component 1: Resolution and submission
Personal Investigation completed; Personal Study finalised

Knowledge:

Students consolidate their selected direction, make connections across supporting studies and prepare a personal and meaningful final response. The portfolio and Personal Study should communicate intentions clearly and demonstrate an integrated journey through all four Assessment Objectives.

Skills and evidence:

  • Select and develop the most promising ideas; explain decisions and reject weaker alternatives with reasons.
  • Refine composition, scale, materials and presentation through trials, reviews and feedback (AO2).
  • Use first-hand sources and contextual understanding to strengthen personal meaning (AO1/AO3).
  • Produce and present resolved outcome(s) that realise intentions (AO4).
  • Edit, proofread and reference the Personal Study; organise supporting studies so the development journey is clear.

 

Useful Links

Tate coursework guides

Tate materials guide

National Gallery secondary learning

National Gallery Articulation

Component 1 assessment:

Personal Investigation: 60% of the A level. Internally assessed and externally moderated. Includes supporting studies, personal outcome(s) and a related Personal Study. Assess evidence holistically across AO1–AO4.

 


 

Term 2-3

Component 2: Externally Set Assignment
Preparatory studies and sustained focus

Knowledge:

From 1 February, students select and interpret a starting point from the externally set paper. They undertake a sustained period of preparatory study before completing unaided work during a 15-hour period of sustained focus under examination conditions.

Skills and evidence:

  • Interrogate the theme, identify a personal direction and research relevant first-hand and contextual sources (AO1/AO3).
  • Generate, test and refine ideas through purposeful experimentation (AO2).
  • Record observations, insights and critical decisions in preparatory studies (AO3).
  • Plan materials, scale, composition and time so the sustained-focus work can realise intentions (AO4).
  • Maintain clear links between preparatory work and the final response while preserving independent decision-making.

 

Useful Links

Pearson ESA guidance

Pearson course materials

National Gallery A-level theme tours

ART2DAY artist research

Component 2 assessment:

Externally Set Assignment: 40% of the A level. The paper is released on 1 February. Preparatory studies support a 15-hour period of sustained focus; the component is internally assessed and externally moderated against AO1–AO4.

Type of Qualification:
A Level
Course entry requirements:
Art, Textiles or Graphic Design
GCSE Grade 5
*You must have one of the above
subjects at GCSE Grade 5
Are you interested in:
Visual arts, graphic design, architecture, media, film, advertising, journalism or travel?
Leading to a career in:
Architecture, web design, film, advertising, set design, illustration, teaching, restoration, costume design, fashion or marketing
The subject goes well with:
• Photography
• Design
• English
• Music
• Geography
• History
• Classics
Head of Department/course leader:
Mrs N Sholl

Exam Board:

Edexcel

Course Code:

9ADO